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Dort gibt es eine Anleitung wie und wo Ihr im Anhang dort einen Text schreiben knnt.
It develops writers to think visually in telling their stories. Composition, framing, lighting, camera settings, and photo editing are included in the topic discussions as well. Course Outline: Introduction to video post-production Edting concepts and techniques Edting as an intergral part of filmmaking Capabilities of post-production Inclusion: – use of i Mac – Final Cut Pro – certificate from UPFI – snacks and coffee OPEN TO THE PUBLIC. Patrick Campos has been a long-time faculty of the U. Film Institute and has taught film and communication courses since 2001.
The screenplay produced by the screenwriter becomes the basis of the director for every decision in making the film. As this workhop falls within the scope of digital technology, it also takes time in thoroughly discussing the parts and operations of a digital camera. He has also authored several film, media, and communication book chapters like“The Philippine-American Contact, the Politics of memory, and End(s) of Cinematic Experimentation” & “Noli me tangere on Television” and co-edited the book Communication and Media Theories with Rolando Tolentino, Randy Solis, and Choy Pangilinan.
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This course is designed to introduce and cultivate the skill of screenwriting (which mostly is for TV and film). Course Outline • Basic photography skills • Fundamental operations of a digital single-lens reflex (DSLR) camera • Principles and elements of design • Composition • Natural and artificial lighting • Lens and aperture mechanism • Proper exposure • Photo editing About the Facilitator Renan Saliva teaches photography as a faculty in the U. Film Institute in which he graduated in 1994 with Best Thesis honors. He has also facilitated a handful of film workshops and seminars Schedule March 5, 2016 (Sat) 1 – 6 PM OPEN TO THE PUBLIC.